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ORCIDReadings in Music and Artificial Intelligence, 2000
- Eduardo Reck Miranda:
Readings in Music and Artificial Intelligence. Harwood Academic publishers 2000, ISBN 90-5755-094-6 - Eduardo Reck Miranda:
Regarding Music, Machines, Intelligence and the Brain: An Introduction to Music and AI. Readings in Music and Artificial Intelligence 2000: 1-13 - Alan Marsden:
Music, Intelligence and Artificiality. Readings in Music and Artificial Intelligence 2000: 15-28 - Geraint A. Wiggins, Alan Smaill:
Musical Knowledge: What can Artificial Intelligence Bring to the Musician? Readings in Music and Artificial Intelligence 2000: 29-46 - Petri Toiviainen:
Symbolic AI versus Connectionism in Music Research. Readings in Music and Artificial Intelligence 2000: 47-67 - Gerhard Widmer:
On the Potential of Machine Learning for Music Research. Readings in Music and Artificial Intelligence 2000: 69-84 - François Pachet:
Computer Analysis of Jazz Chord Sequence: Is Solar a Blues? Readings in Music and Artificial Intelligence 2000: 85-113 - Pierre-Yves Rolland, Jean-Gabriel Ganascia:
Musical Pattern Extraction and Similarity Assessment. Readings in Music and Artificial Intelligence 2000: 115-144 - Robert Rowe:
Interactive Music Systems in Ensemble Performance. Readings in Music and Artificial Intelligence 2000: 145-161 - Antonio Camurri:
Artificial Intelligence Architectures for Composition and Performance Environment. Readings in Music and Artificial Intelligence 2000: 163-188 - Roger B. Dannenberg:
Dynamic Programming for Interactive Music Systems. Readings in Music and Artificial Intelligence 2000: 189-206 - Carlos Gustavo Guerra:
The Mechanization of Intelligence and the Human Aspects of Music. Readings in Music and Artificial Intelligence 2000: 207-219 - Matt Smith:
Artificial Intelligence and Music Education. Readings in Music and Artificial Intelligence 2000: 222-237 - Simon Holland:
Artificial Intelligence in Music Education: A Critical Review. Readings in Music and Artificial Intelligence 2000: 239-274
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