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ORCIDNIME 2002: Dublin, Ireland
- Eoin Brazil:
New Interfaces for Musical Expression, NIME-02, Proceedings, Dublin, Ireland, May 24-26, 2002. Media Lab Europe 2002, ISBN 1874653658
Session 1 - Saturday
- Robert Huott:
An Interface for Precise Musical Control. 1-5 - Lisa McElligott, Edward Dixon, Michelle Dillon:
'PegLegs in Music' - Processing the Effort Generated by Levels of Expressive Gesturing in Music. 6-10 - James Patten, Ben Recht, Hiroshi Ishii:
Audiopad: A Tag-based Interface for Musical Performance. 11-16 - Tina Blaine, Clifton Forlines:
JAM-O-WORLD: Evolution of the Jam-O-Drum into the Jam-O-Whirl Gaming Interface. 17-22
Session 2 - Saturday
- Roberto Oboe, Giovanni De Poli:
Multi-instrument virtual keyboard - the MIKEY project. 23-28 - Charles Nichols:
The vBow: Development of a Virtual Violin Bow Controller Haptic Human-Computer Interface. 29-32 - Bill Verplank, Michael Gurevich, Max V. Mathews:
The PLANK: Designing a simple Haptic Controller. 33-36 - Eric Gunther, Glorianna Davenport, M. Sile O'Modhrain:
Cutaneous Grooves: Composing for the Sense of Touch. 37-43
Session 3 - Saturday
- Atau Tanaka, R. Benjamin Knapp:
Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing. 43-48 - Alain Baumann, Rosa Sanchez:
Interdisciplinary Applications of New Instruments. 49-53 - Graeme McCaig, Sidney S. Fels:
Playing on Heart-Strings: Experiences with the 2Hearts system. 54-59 - Florian Vogt, Graeme McCaig, Mir Adnan Ali, Sidney S. Fels:
Tongue 'n' Groove: An Ultrasound based Music Controller. 60-64
Session 4 - Saturday
- Diana Young:
The Hyperbow Controller: Real-Time Dynamics Measurement of Violin Performance. 65-70 - Matthew Burtner:
Noisegate 67 for Metasaxophone: Composition and Performance Considerations of a New Computer Music Controller. 71-76 - Ajay Kapur, Georg Essl, Philip Davidson, Perry R. Cook:
The Electronic Tabla Controller. 77-81 - Carr Wilkerson, Carmen Ng, Stefania Serafin:
The Mutha Rubboard Contoller: Interactive Heritage. 82-85 - Bert Bongers, Yolanda Harris:
A Structured Instrument Design Approach: The Video-Organ. 86-91
Session 5 - Sunday
- Johannes Taelman:
A low-cost Sonar Interface for Unobtrusive Man-Machine Interfacing. 92-95 - Emmanuel Fléty:
AtoMIC Pro: A Multiple Sensor Acquisition Device. 96-101 - Gideon D'Arcangelo:
Creating a Context for Musical Innovation: A NIME Curriculum. 102-105 - Gil Weinberg, Roberto Aimi, Kevin Jennings:
The Beatbug Network: A Rhythmic System for Interdependent Group Collaboration. 106-111
Session 6 - Sunday
- Tamara Smyth, Julius O. Smith III:
Creating Sustained Tones with the Cicada's Rapid Sequential Buckling Mechanism. 112-115 - Sidney S. Fels, Florian Vogt:
Tooka: Exploration of Two Person Instruments. 116-121 - Leila Hasan, Nicholas Yu, Joseph A. Paradiso:
The Termenova: A Hybrid Free-Gesture Interface. 122-127 - Daniel Arfib, Jacques Dudon:
A Digital Emulator of the Photosonic Instrument. 128-131 - Sergi Jordà:
Afasia: The Ultimate Homeric One-Man-Multimedia-Band. 132-137
Session 7 - Sunday
- Norbert Schnell, Marc Battier:
Introducing Composed Instruments: Technical and Musicological Implications. 138-142 - Ashley Gadd, Sidney S. Fels:
MetaMuse: Metaphors for Expressive Instruments. 143-148 - Andy Hunt, Marcelo M. Wanderley, Matthew Paradis:
The Importance of Parameter Mapping in Electronic Instrument Design. 149-154 - Antonio Camurri, Riccardo Trocca, Gualtiero Volpe:
Interactive Systems Design: A KANSEI based Approach. 155-162
Demonstrations
- Tim Hankins, David Merrill, Jocelyn Robert:
Circular Optical Object Locator. 163-164 - Kieran Ferris, Liam J. Bannon:
The Musical Box Garden. 165-167 - Laurel Pardue, Joseph A. Paradiso:
Musical Navigatrics: New Musical Interactions with Passive Magnetic Tags. 168-170 - David Wessel, Matthew Wright, John Schott:
Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors. 171-173 - Loïc Kessous:
Bi-manual mapping experimentation, with angular fundamental frequency control and sound color navigation. 174-175 - Jean-Michel Couturier:
A Scanned Synthesis virtual instrument. 176-178 - Mark T. Marshall, Matthias Rath, Breege Moynihan:
The Virtual Bodhran - The Vodhran. 179-180 - Jordan Wynnychuk, Richard Porcher, Luka Brajovic, Marko Brajovic, Nacho Platas:
sutoolz 1.0 alpha: Music Software Interfacing and 3D Navigation. 181-182 - Kia Ng:
Interactive Gesture Music Performance Interface. 183-184 - IXI Software. 185
- Stanza:
Amorphoscapes & Soundtoys. 186-187 - Todd Winkler:
Fusing Movement, Sound, and Video in Falling Up, an Interactive Dance/Theatre Production. 188 - David Bernard:
Experimental Controllers for Live Electronic Music Performance (vs.Copyright). 189 - James Mandelis:
Adaptive Hyperinstruments: Applying Evolutionary Techniques to Sound Synthesis and Performance. 190-191 - Garth Paine:
'Gestation' Installation. 192-193 - Niall Griffith, Ed Hammond, Sean O'Leary, M. Sile O'Modhrain, Donagh O'Shea:
Circles and Seeds: Adapting Kpelle ideas about music performance for collaborative Digital Music performance. 194-195
Keynotes
- Tod Machover:
Instruments, Interactivity, and Inevitability. 196 - Joel Chadabe:
The Limitations of Mapping and a Structural Descriptive in Electronic Instruments. 197-201
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