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ORCIDNIME 2003: Montreal, Canada
- François Thibault:
New Interfaces for Musical Expression, NIME-03, Proceedings, Montréal, Canada, May 22-24, 2003. Faculty of Music, McGill University 2003, ISBN 0-7717-0604-9
Paper Session I
- Cormac Cannon, Stephen Hughes, M. Sile O'Modhrain:
EpipE: Exploration of the Uilleann Pipes as a Potential Controller for Computer-Based Music. 3-8 - Diana Young, Georg Essl:
HyperPuja: A Tibetan Singing Bowl Controller. 9-14
Report Session I
- Gary P. Scavone:
THE PIPE: Explorations with Breath Control. 15-18 - Marije A. J. Baalman:
The STRIMIDILATOR, a String Controlled MIDI-Instrument. 19-23 - Scott Wilson, Michael Gurevich, Bill Verplank, Pascal Stang:
Microcontrollers in Music HCI Instruction - Reflections on our Switch to the Atmel AVR Platform. 24-29 - Tue Haste Andersen:
Mixxx: Towards Novel DJ Interfaces. 30-35
Report Session II
- Nicola Orio, Serge Lemouton, Diemo Schwarz, Norbert Schnell:
Score Following: State of the Art and New Developments. 36-41 - Caroline Traube, Philippe Depalle, Marcelo M. Wanderley:
Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information. 42-48 - Yoichi Nagashima:
Bio-Sensing Systems and Bio-Feedback Systems for Interactive Media Arts. 48-53
Paper Session II
- Ali Momeni, David Wessel:
Characterizing and Controlling Musical Material Intuitively with Geometric Models. 54-62 - Matthew Burtner:
Composing for the (dis)Embodied Ensemble: Notational Systems in (dis)Appearances. 63-69 - Sergi Jordà:
Sonigraphical Instruments: From FMOL to the reacTable*. 70-76
Report Session III
- Motohide Hatanaka:
Ergonomic Design of a Portable Musical Instrument. 77-82 - Hiroko Shiraiwa, Rodrigo Segnini, Vivian Woo:
Sound Kitchen: Designing a Chemically Controlled Musical Performance. 83-86 - Joel Ryan, Christopher L. Salter:
TGarden: Wearable Instruments and Augmented Physicality. 87-90 - David Ventura, Kenji Mase:
Duet Musical Companion: Improvisational Interfaces for Children. 91-94
Report Session IV
- David M. Howard, Stuart Rimell, Andy Hunt:
Force Feedback Gesture Controlled Physical Modelling Synthesis. 95-98 - Reynald Hoskinson, Kees van den Doel, Sidney S. Fels:
Real-time Adaptive Control of Modal Synthesis. 99-103 - Diana Young, Stefania Serafin:
Playability Evaluation of a Virtual Bowed String Instrument. 104-108
Paper Session III
- Lalya Gaye, Ramia Mazé, Lars Erik Holmquist:
Sonic City: The Urban Environment as a Musical Interface. 109-115 - Michael J. Lyons, Michael Hähnel, Nobuji Tetsutani:
Designing, Playing, and Performing with a Vision-based Mouth Interface. 116-120 - Donna Hewitt, Ian Stevenson:
E-mic: Extended Mic-stand Interface Controller. 122-128
Report Session V
- Tina Blaine, Sidney S. Fels:
Contexts of Collaborative Musical Experiences. 129-134 - Andy Hunt, Ross Kirk:
MidiGrid: Past, Present and Future. 135-139 - Loïc Kessous, Daniel Arfib:
Bimanuality in Alternate Musical Instruments. 140-145 - Paul Modler, Tony Myatt, Michael Saup:
An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in Realtime. 146-150
Report Session VI
- Teresa Marrin Nakra:
Immersion Music: A Progress Report. 151-152 - Matthew Wright, Adrian Freed, Ali Momeni:
OpenSound Control: State of the Art 2003. 153-159
Additional Documents
- Christopher Dobrian, Frédéric Bevilacqua:
Gestural Control of Music Using the Vicon 8 Motion Capture System. 161-163 - Kazushi Nishimoto, Chika Oshima, Yohei Miyagawa:
Why Always Versatile?: Dynamically Customizable Musical Instruments Facilitate Expressive Performances. 164-169 - Henry Newton Dunn, Hiroki Nakano, James Gibson:
Block Jam: A Tangible Interface for Interactive Music. 170-177
Poster Session
- Sukandar Kartadinata:
The Gluiph: a Nucleus for Integrated Instruments. 180-183 - Jean-Michel Couturier, Daniel Arfib:
Pointing Fingers: Using Multiple Direct Interactions with Visual Objects to Perform Music. 184-187 - Eric Singer, Kevin Larke, David Bianciardi:
LEMUR GuitarBot: MIDI Robotic String Instrument. 188-191 - Chad Peiper, David Warden, Guy E. Garnett:
An Interface for Real-time Classification of Articulations Produced by Violin Bowing. 192-196 - Zack Settel, Cort Lippe:
Convolution Brother's Instrument Design. 197-200 - Insook Choi:
A Component Model of Gestural Primitive Throughput. 201-204
Demo I
- Cléo Palacio-Quintin:
The Hyper-Flute. 206-207 - Jesse T. Allison, Timothy A. Place:
SensorBox: Practical Audio Interface for Gestural Performance. 208-210 - Kevin C. Baird:
Multi-Conductor: An Onscreen Polymetrical Conducting and Notation Display System. 211-212 - Bill Kleinsasser:
Dsp.rack: Laptop-based Modular, Programmable Digital Signal Processing and Mixing for Live Performance. 213-215 - Mathew Laibowitz:
BASIS: A Genesis in Musical Interfaces. 216-217
Demo II
- David Merrill:
Head-Tracking for Gestural and Continuous Control of Parameterized Audio Effects. 218-219 - Eric Singer:
Sonic Banana: A Novel Bend-Sensor-Based MIDI Controller. 220-221 - David Muth, Ed Burton:
Sodaconductor. 222-224 - Emmanuel Fléty, Marc Sirguy:
EoBody: a Follow-up to AtoMIC Pro's Technology. 225-226
Invited Papers
- Joseph A. Paradiso:
Dual-Use Technologies for Electronic Music Controllers: A Personal Perspective. 228-234 - Claude Cadoz, Annie Luciani, Jean-Loup Florens, Nicolas Castagné:
ACROE-ICA. Artistic Creation and Computer Interactive Multisensory Simulation Force Feedback Gesture Transducers. 235-246
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